Handicrafts Kermanshah Iran

Handicrafts Kermanshah Iran

Jajim weaving

Jajim weaving has long been prevalent among rural families and tribes in Kermanshah province. Jajim is used as a warm overcoat. Even in some rural families, Jajim is given to the Roses as a bright eye and a dowry and kept for years as a precious memento. The raw material of Jajim is wool and its texture resembles that of jimmies, except that Jajim is woven into four boards and then sewn together. In the Oraman and Tallas regions, women weave gemstones with varied motifs of high quality that are unique in their kind.

Kilim weaving

Kilim weaving is a household craft and is prevalent in most parts of Kermanshah province. One of the most famous areas of Kilim weaving in this province is the city of Harsin and its Kilim is well known. The existence of suitable ranches for livestock breeding that provide the fiber needed for Kilim weaving is a reason for the prevalence of Kilim weaving in this area. Military fountain designs and combinations of sparrows and nests, as well as engraving, snake, doll, scissors, horizontal and vertical lines, stripes, cat paws, melon wedges, musk flowers, cashmere and needlework are among the drawings Kilims of this province are found especially in Harsin region. In the context of the Hersin Kilim context, there are many signs of the intermingling of different cultures and cultures.

Giveh

Giveh is called a local term kalash. The use of Giveh as soft, lightweight, comfortable and durable cover is common in mountainous areas and rocky and rough crossings of Kermanshah province. Giveh Construction Centers in this province are the cities of Pave, Harsin and Kermanshah. Giveh consists of two parts, the insoles and the upper. The insole is usually made of rubber and leather and the top is made of yarn. With the emergence of the rubber industry for workers and farmers tires are being used under Giveh.

Mat weaving

A mat about 150cm wide on which different patterns are created by colorful woolen yarns. The mat is used to protect the area around the black tents and sometimes it is used to divide the space inside the nomadic tents.

Etching

The art of engraving in this province once had a special appearance, and the pen of great women was working in this area. The last person in the pen of professional women in Kermanshah is Professor Ali Akbar Ein al-Qazai, who taught the art of Kermanshah youth to revive the art. Inspired by Achaemenid and Sassanid era monuments and the nature of the region, Kermanshahi’s women ‘s paintings have finally created elegance and beauty, creating world-class artwork.

Metal tools

At present, there are workshops in the city of Kinder that are more or less concerned with making metal tools and work tools. Karandi craftsmen are well known for their work and hunting tools, knives, knives, sugar breakers, saddle tools, locks and keys. In addition to Karand, there are several forging workshops in Kermanshah that cultivate most of the cultivation tools. They are building.

carpet weaving

Carpet weaving has been a popular activity in Kermanshah villagers for many years now, as a valuable self-consumption activity with native and local motifs. Well-known local roles have the names of certain villages, including the roles of Hosseinabad, Akbarabad and Kuyani. Today we have carpet weaving in most of the villages of Sankar and in most of the villages of Sahneh, Kangavar, Dinor and Bistoon. Among the tribes of western Kermanshah, especially Thalasse Babajani, although carpet weaving is not the main handicraft, it is woven along with carpet weaving and other handicrafts. In Kermanshah rug culture, the word flower means role. As in Akbarabad flower and bergamot flower, carpet flower map is meant. Known roles in carpet weaving in this area include: Dargol, Arshbandi, Samavari, Abdollahi, Akbarabadi, Kuyani and Hosseinabadi. Each of these roles has its own set of sub roles.